the 2011 movie score guidebook, vol. 1
I’ve decided to keep up some traditions, and this is one of them. Last year I wrapped up the movie year with a six-volume rundown on the soundtracks of the year. And here’s your first volume for 2011 – I’ll try to vary it up by release date, pedigree, and quality, depending.
The Adjustment Bureau
Score by Thomas Newman
Rango
Score by Hans Zimmer
Pirates of the Caribbean: On Stranger Tides
Score by Hans Zimmer
The Debt
Score by Thomas Newman
Water for Elephants
Score by James Newton Howard
Green Lantern
Score by James Newton Howard
Potiche
Score by Philippe Rombi
A Dangerous Method
Score by Howard Shore
We Bought a Zoo
Score by Jon Por Birgisson
Don’t Be Afraid of the Dark
Score by Marco Beltrami
Rio
Score by John Powell
Mr. Popper’s Penguins
Score by Rolfe Kent
Cowboys & Aliens
Score by Harry Gregson-Williams
Rise of the Planet of the Apes
Score by Patrick Doyle
Beginners
Score by Brian Reitzell, Dave Palmer, and Roger Neill
mecc… those were the days
Inspired by the lovely Calla, I was moved to reminisce on a mainstay of a Midwestern upbringing – perhaps it was more widespread than I realize, but any good child of 90s spent a good deal of time plucking away on MECC software during computer class.
Poor Sarah – perhaps my trusty flashlight will shed some light on this situation and rescue you from the stake! The power of magic children. |
final golden globe predictions
With the nomination announcement coming up on Thursday, I thought it only best I make a final stab at predicting the once-great ceremony. Arguably the true kick-off of major awards gets, the Globes may’ve lost some of its luster last year with its bizarre choices, but at least they still get their guests schnockered! Just a few alterations from my last go at it.
in defense of… DRIVE ME CRAZY
You said it, Melissa. Though it lacks much pedigree, starring the former Clarissa Explains it All figurehead and the future leader of the pack on Entourage, Drive Me Crazy fell into teen comedy obscurity amongst the plethora of popular ones at the time (namely She’s All That and 10 Things I Hate About You). In fact, you’ll likely find it relegated to $5 dollar bins across America. So to sum it up, there’s no excuse by way of inaccessibility for seeing this underrated gem.
The premise is admittedly familiar – spunky popular girl takes on outsider next door, remakes him into a BMOC in a week or two, and, what do you know, they fall for each other. But thanks to the effervescent charms of lead Melissa Joan Hart (yes, I went there – Sabrina haters be damned!) and a surprisingly springy script courtesy of Rob Thomas (no, not that Rob Thomas), we’re left with a bit of transcendence. It’s a quiet picture, to be sure, and it certainly has its weak points (some of those supporting fortysomething “teenage” actors aren’t exactly grand thespians), but can you really top this interchange: