first impressions: PETER SARSGAARD
Josh Strand in Law and Order, Ep. 6.6 – “Paranoia” (1995)
best films: #93: HARRY POTTER AND THE ORDER OF THE PHOENIX (2007)
As a part of the arguably best year for film in the past decade (and followed by quite possibly the worst), this Harry Potter outing is easily one of the best (where it ranks among its fellow HP flicks on my list is yet to be seen). Mostly banking on the fact that its predecessor was merely acceptable, this time around the gang is joined by some intriguing new characters. The bulk of the exceptionality of this movie is from Dolores Umbridge (played with typical vigor by the under-appreciated Imelda Staunton) and Luna Lovegood (played with spacey brilliance by newcomer Evanna Lynch). But then again, the highlight of each successive Harry Potter movie seems to be the newest Brits that have come to play newly introduced characters. The truly unfortunate part about its being released in the brilliant 2007, though, was that Staunton’s take on Umbridge was almost completely overlooked by critics.
jack nicholson tribute: CARNAL KNOWLEDGE (1971)
Jonathan Fuerst in Carnal Knowledge (1971)
As seen by his performances in Chinatown and One Flew Over the Cuckoo’s Nest, Nicholson’s role in the ’70s was to take less-than-perfect characters and portray them in a way that makes him difficult to despise, no matter how hard he tries. In Carnal Knowledge, though he’s clearly usurping on his friend’s territory, a part of you thinks he has a right to see his roommate’s girlfriend (Candice Bergen) on the sly. And judging by their more electric connection, she didn’t seem to mind at all. But like other Mike Nichols efforts (see Closer), no one ends up truly happy, and Jack seems the most unfulfilled of them all. Life lesson — don’t make Ann-Margret unhappy.
Jack’s Performance: B
The Film: B-
best films: #94: THE BRIDGE ON THE RIVER KWAI (1957)
Let’s make one thing infinitely clear: I’m a sucker for WWII movies. This one in particular stems entirely from my grandpa’s undying adoration for this movie (and, his personal favorite, Patton). But the reason The Bridge on the River Kwai is on my 100 favorite films list is for a typically unlikely reason when it comes to war movies — the performances. It features my personal favorite Alec Guinness performance, as well as a cast of more minor roles that are unexpectedly poignant (“Madness! Madness!”). “Colonel Bogey’s March” aside, this movie has immense rewatchability (Believe me, I know. I’ve seen it upwards of fifty times). Though it may lack the intensity of more modern efforts such as No. 95 on the list, it’s a wonderful showcase for Guinness, and it set the tone for all future depictions of “the great war.”
jack nicholson tribute: TERMS OF ENDEARMENT (1983)
Garrett Breedlove in Terms of Endearment (1983)
Jack’s Performance: B
The Film: B+
best films: #95: SCHINDLER’S LIST (1993)
What would a top 100 list be without Schindler’s List? With some seriously underrated performances from Liam Neeson and Ralph Fiennes (their personal best, in my opinion) and exquisite direction from the typically skillful Steven Spielberg, the only thing that could top its otherwise near-perfect production might be the tear-inducing score from John Williams. (You will soon find out that I can’t help but adore John Williams, no matter how much quoting he does in his scores.) And even though I’m a believer in Tommy Lee Jones, and I obviously appreciate the work of Mr. Hanks, I believe it’s safe to say Neeson and Fiennes should’ve nabbed the Oscars in 1993. I don’t really see how the film would’ve worked nearly as well without them. So though I favor other Spielberg efforts more than this (you’ll just have to wait and see…), there’s no denying it’s one of the highest quality movies of the ’90s.
jack nicholson tribute: THE WITCHES OF EASTWICK (1987)
Daryl Van Horne in The Witches of Eastwick (1987)
What better way to showcase Jack‘s signature devilish eyebrow arch than by making him the debonair sex-machine personification of evil itself. In The Witches of Eastwick, Jack is joined by three iconic ladies (two of which are fellow Oscar winners — Susan Sarandon and Cher — and the other, who has shamefully been snubbed). So, with a trio of beautiful vixens, how does Jack even stand a chance? Well, though he is hammy as all get out, Jack is believable as the tempter to the town’s three dowdy loners.
Though he probably gets what he deserves, poor Jack is subjected to the coven of ladies as they use their combined powers to bring him down (and all the while remaining helplessly in love with them). And then all notion of seeing Jack as a sex symbol of any kind is done away with as he takes on some… er… less-than-attractive visages (see right). While Jack’s performance is perfectly acceptable as silly summer fare, the film itself is, at times, an over-the-top mess.
Though there are admirable performances all around (character actress Veronica Cartwright is a hoot!), the movie, based on the novel by John Updike, rests on its stars and its fun score (at the 5:00 mark) from John Williams. Despite its flaws, the movie has fairly good rewatchability, and the effects and makeup are still dazzling twenty years later.
Jack’s Performance: B+
The Film: B
best of the ’60s: JOHN WAYNE in McLINTOCK! (1963)
As part of an ongoing project of cataloging the best of the best in the decade of change, here is my first bit of reverence.
John Wayne in McLintock!
Though it isn’t the first flick you think of when someone says John Wayne (see: The Searchers, Stagecoach), it certainly was my first, and probably favorite, performance of one of the most prolific actors in Hollywood history. As George Washington McLintock, Wayne was embracing his comical side, partnering up with equally matched The Quiet Man co-star Maureen O’Hara. Sure, the ultimate message in the movie is highly archaic (an uppity woman deserves a good spanking?), but it’s amazing how much of a joy it was to see Wayne in a comedy. And to top it off, his character, though misogynistic, has a rather obvious soft spot for his neighbors, the Native Americans that got their first.
Now, I’m not saying McLintock! is any picture of tolerance as far as films go, but it was a highly enjoyable foray into the ’60s for Wayne and his typically “cowboys vs. indians” motif. If it weren’t for its Taming of the Shrew overtones (and that pesky coal shovel paddling that O’Hara’s character endures), perhaps it would’ve been a less objectionable comedy. Looking past its glaring anti-feminist stances, McLintock! is Wayne’s best example of action comedy, and it simply can’t be topped in terms of entertainment value by anything else in his filmography.
best films: #96: HARRY POTTER AND THE SORCERER’S STONE (2001)
Sure, this overly faithful adaptation of the J.K. Rowling book that started the Potter obsession insanity leaves a lot to be desired (perhaps less family-friendly melodrama in the last ten minutes), but there are many things to be treasured in this film. For starters, the brilliant John Williams score that was his best since Jurassic Park was introduced in this fantastical effort. Also, it featured one of the final performances of the late, great Richard Harris. Beyond that, this series has since provided work to every British character actor in existence. In this first of the series, Harris is joined by the always-enjoyable Maggie Smith as Minerva McGonagall, a wonderfully droll Alan Rickman as Severus Snape, and the absolutely adorable matriarch Julie Walters as Molly Weasley. And though the children struggled with finding their acting abilities (which I feel has truly come around in the last two films), Daniel Radcliffe, Rupert Grint, and Emma Watson were adorable moppets in this first outing. So say what you want about this book-to-screen adaptation, but the visuals, the score, and the splendid cast of British who’s-whos make this an undeniably entertaining flick.
jack nicholson tribute: AS GOOD AS IT GETS (1997)
As a tribute to my personal favorite actor, as sparked by the previous post of my favorite leading men of all time, I’ll be taking it upon myself to see as many of the films of Jack Nicholson as I can in the coming weeks. This first tribute post to Mr. Nicholson will be in regards to my personal favorite performance of his.